I don’t very often get to talk about my early days in cartoons.
That’s Mark Mangini, an Oscar-winning sound designer, who works with the Formosa Group. And therefore, sound doesn’t have to obey those laws either. They also don’t have to obey the laws of logic. The beauty and the joy of cartoon animation is that the characters do not have to obey the laws of physics. Coyote cartoon, and that sound, along with many other cartoon sounds, remains constant. It’s been almost 70 years since the first Wile E. “How’d you do that? It defies the laws of physics.” (Falling sound effect) “I wouldn’t stand there if I were you.” (Falling sound effect) Coyote started falling off cliffs in 1949, yet we still hear that falling sound effect in modern cartoons, like “Teen Titans”. It’s pretty crazy how we can fill in the whole scene based solely on the sound effects, even without a single “meep, meep” from the Road runner (meep, meep). Coyote failed to catch the Road Runner – again. You probably also know that sound meant Wile E. If you watched cartoons as a kid, you probably knew instantly that the sound you just heard was from Looney Tunes. It’s all about these sounds, which almost need no introduction.įrom Twenty Thousand Hertz, here is Dallas Taylor. It is a great show that you should definitely subscribe to and I’m pleased to present one of their episodes here today. I loved the old Hanna-Barbera cartoons & I could really visualize many of the scenes when I heard the sound effects.The podcast Twenty Thousand Hertz tells stories about the world’s most recognizable and interesting sounds. If you're younger than 30, you may not notice the voice dif ferences, but if you have watched the original cartoons, you'll notice that some of the voice characterizations are not close.at all (Alan Reed, the original Fred Flintstone, has been dead for a long time & that explains his replacement). There are also additional phone messages & extra comedy routines from some of their classic characters (however, these comedy bits are done by replacement actors & NOT done by the original actors) on the CD. The tracks are usually very short & there are a LOT of them on the CD. The sound effects track list is long & it even includes the names of characters who used them (like Fred Flintstone's classic bowling tiptoe approach), which really helps identify the clips, in the mind of the listener. These tracks are amazing & are well worth the price that you'll pay for this CD! This CD contains tracks made from the original recordings of classic Hanna-Barbera sound effects from the 60's TV shows (The Flintstones, The Jetsons & more).
The classic Hanna-Barbera sound effects hit a HOME RUN!
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